An excerpt from the motion picture Funky Forest combined with the music of Freescha.
Via: Reactual
Also:
An excerpt from the motion picture Funky Forest combined with the music of Freescha.
Via: Reactual
Also:
From the album Tape It Back Together on Peanuts and Corn Records.
Also: Monkey Temple
What if we could touch our music again?
Also: SoundCards, music trading-cards that link you to music in the cloud.
- Many people have a physical connection with their music. These people like to organize, display and interact with their music via the containers (album covers, cd cases).
- Music is a highly social medium. People enjoy sharing music with others. People learn about new music from others in their social circle.
- The location where music is stored will likely switch from devices managed by the listener to devices managed by a music service. In the future, a music purchaser will purchase the right to listen to a particular song, while the actual music data will remain managed by the music service.
Finally: Daito Manabe and Motoi Ishibash built a lighting sequencer that uses RFID-enabled cards to control lighting and sounds.
70% of Winnipeggers are using Facebook. 1% of Winnipeggers are using Twitter. [source]
A work in progress.
”Maybe it’s time we get out of the broadcasting business…”
—Dean Del Mastro, Parliamentary Secretary to the Minister of Canadian Heritage.
Them there are fight’n words. Sign the petition, or better yet, send a hand-written letter of support for the CBC to our Heritage Minister:
The Honourable James Moore
Minister of Canadian Heritage
and Official Languages
House of Commons
Ottawa, Ontario
K1A 0A6
‘One Hundred and Eight’ is an interactive, wall-mounted installation by Berlin-based media artist Nils Völker.
Via dad via the pop-up city.
Flying a RightWing Zephyr in New York, over the Brooklyn and Verazano Bridge, around Downtown Manhattan and the Statue of Liberty.
Also: Build Your Own.
Hans Rosling’s 200 Countries, 200 Years, 4 Minutes - The Joy of Stats. [via]
A beautifully layered philosophical interpretation of Inception by Quinn A.C. Nicholson at Metaphilm.
“Christopher Nolan is, at best, a genius who is taking us through the history or man’s understanding of reality; at worst, a very clever crow good at finding shiny items of interest from the various human sciences and building a nest out of them.”
In November 2003 I recorded myself playing John Lennon’s Imagine and mcenroe’s Billy’s Vision… at the same time!