The inner workings of the LilyPond music notation system. You might have to be three-kinds-of-nerd* to get into this one. ;)
*Music, Typography, CompSci
A Process That Resonates
Processing is a free open-source programming language for people who want to program images, animation, and interactions. It was created with artists, designers and hobbyists in mind.
After seven years of alpha and beta testing version 1.0 of Processing was launched yesterday.
I first discovered Processing in late 2003 and started coding sketches in February of 2004. Since then I’ve logged countless hours geeking out with this wonderful tool. I published my early sketches online, but I think the last sketch I shared on StungEye was a crystal growth simulator back in October of 2007.
Lately when I want to do some experimental coding I pull out my Ruby Shoes, but I have started teaching some of my students how to write programs for their cellphones using the mobile version of Processing.
I also own an Arduino, the electronics-hacking version of Processing. Next week Andrew and I are going to use an Arduino to build a random number generator. Why? Well, for use as a consciousness field resonator to test the existents of the Noosphere, of course. :)
BTW, if you want to see what’s possible with Processing check out the work of Robert Hodgin or Glenn Marshall.
If you want to learn Processing you can get started by following the tutorials and the API reference. You can learn from and be inspired by other peoples code. I also recommend the book Learning Processing by Daniel Shiffman.
One Cuil, denoted by the Interrobang symbol (‽) is equal to One Level of Abstraction or Surreality away from the reality of a situation.
“1 Cuil: if you asked me for a hamburger, and I gave you a raccoon.”
“5 Cuils: You ask for a hamburger, I give you a hamburger. You raise it to your lips and take a bite. Your eye twitches involuntarily. Across the street a father of three falls down the stairs. You swallow and look down at the hamburger in your hands. I give you a hamburger. You swallow and look down at the hamburger in your hands. You cannot swallow. There are children at the top of the stairs. A pickle shifts uneasily under the bun. I give you a hamburger. You look at my face, and I am pleading with you. The children are crying now. You raise the hamburger to your lips, tears stream down your face as you take a bite. I give you a hamburger. You are on your knees. You plead with me to go across the street. I hear only children’s laughter. I give you a hamburger. You are screaming as you fall down the stairs. I am your child. You cannot see anything. You take a bite of the hamburger. The concrete rushes up to meet you. You awake with a start in your own bed. Your eye twitches involuntarily. I give you a hamburger. As you kill me, I do not make a sound. I give you a hamburger.”
“Why does all this copyright reform stuff matter, anyway? What’s at stake? Everything. […]
There’s a word for all the stuff we do with creative works — all the conversing, retelling, singing, acting out, drawing, and thinking: we call it culture. […]
[I]f copying on the Internet were ended tomorrow, it would be the end of culture on the Internet too. “ -Cory Doctorow
— “Like it? Well, I don’t see why I oughtn’t to like it. Does a boy get a chance to whitewash a fence every day?”
— “Say, Tom, let me whitewash a little.”
Length of mix: 1:17:00
Available as 320 kbps MP3
On February 19th 1942 a fake Nazi invasion was staged in Winnipeg to rally support for the war effort and to promote the purchase of Victory bonds.
“In front of the Main library, all books relating to liberty, democracy, freedom […] were burned.
Reichmarks were given out as change, and were to replace the dollar. One group of Nazis burst into the cafeteria at Great-West Life. Employees were kicked out and some jailed, while the Nazis grabbed all the food.”